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The digitization process described below is
based on methods that were arrived at through a joint project in
which JJT Inc. digitized a small collection of materials for the
Unversity of Texas Libraries using the Kontron digital camera. This
"test" project was undertaken as a means by which to help
the Library learn how the conversion process using a
digital camera would compare with the conversion process using a
flatbed scanner. It was decided that there were efficiencies
to be gained by using the digital camera.
The digital files were created from original
media (glass plate negatives, nitrate negatives and
positives). To create the digital file a technician placed the
print images under the lens of a Kontron ProgRes 3012 digital
camera. The camera was mounted on a control stand with computer control
of X, Y, height, rotation movements of the camera with respect to the original
image, color balance (when appropriate) of the light source and camera
focus. The hardware and custom software were used to control black and
white levels, gamma, and look-up tables. The combination of controls listed
above provides complete control of the composition and the tonal range
and values of the image as it is digitized and processed.
The originals were digitized so that the image would fill the
maximum area possible within the 3072 x 2320 pixel resolution window of
the digital camera. These 3K by 2K images (3K) have been scaled to create
images defined by 1280 x 1024 pixel (1.2K) and 192 x 192 pixel windows.
The panoramic prints have been scanned in segments with the short side
of the print corresponding to the 2320 pixel dimension of the camera, and
the segments have been concatenated to create seamless digital images.
Scanning by Kontron is done at 12-bit-per-color-per-pixel (36-bit resolution)
and the images are output at 8-bit-per-color-per-pixel (24-bit resolution).
For black and white, this works out to 8-bit grey-scale resolution, and
for color, 24-bit full color resolution.
Each image was viewed in a 1024 x 768 pixel window on a 20-inch
monitor calibrated to the proposed International Color Recommendation Standard
Default Color Space for Internet (sRGB). Images were evaluated in the recommended
sRGB reference viewing environment before and after digitization to ensure
proper capture. Also during digitization, images were evaluated for black
and white levels, light intensity, gamma, and color (when applicable),
and were adjusted, as necessary, to represent the tonal range and values
of the original. Extraneous areas in the image were cropped out (but no
part of the photograph was lost) and a frame surrounding each image
was added so that the viewer would know that the entire image had been
scanned.
In post processing, the image was sharpened, scaled, compressed,
and dithered to create the various digital imaging files. Vertical images,
rotated during scanning to make maximum utilization of the camera's aperture,
were rotated back.
The first step in quality control was to display the images on a 20-inch
monitor within a 1024 x 768 pixel window and review them to confirm that
adjustments made during digitizing had the desired effect. Further adjustments
were made as needed. Once written to a file, however, the image was not
changed.
There are three (3) images for each of the 8,241 originals:
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an uncompressed, TIFF image
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a compressed JPEG image (with an
average compression ratio of 10-15:1) at 1.2K resolution and
24-bit depth is the reference image viewable and downloadable by
viewers;
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a dithered GIF image at thumbnail resolution (192K x 192K) and 8-bit depth
is the inline image for the HTML/Web page.
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